Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 200
... least popular of the famous four . The " general reader " reads it less often than the others , and , though he acknowledges its greatness , he will sometimes speak of it with a certain distaste . It is also the least often presented on ...
... least popular of the famous four . The " general reader " reads it less often than the others , and , though he acknowledges its greatness , he will sometimes speak of it with a certain distaste . It is also the least often presented on ...
Seite 263
... least of joy . She grew up with Goneril and Regan for sisters . Even her love for her father must have been mingled with pain and anxiety . She must early have learned to school and repress emotion . She never knew the bliss of young ...
... least of joy . She grew up with Goneril and Regan for sisters . Even her love for her father must have been mingled with pain and anxiety . She must early have learned to school and repress emotion . She never knew the bliss of young ...
Seite 357
... least a week . The reader will find that this supposition involves the following results . ( a ) Desdemona has allowed at least a week to elapse without telling Cassio that she has interceded for him . ( b ) Othello , after being ...
... least a week . The reader will find that this supposition involves the following results . ( a ) Desdemona has allowed at least a week to elapse without telling Cassio that she has interceded for him . ( b ) Othello , after being ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words