Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 123
... matter on his attention , he shows no consciousness of this position . He muses in the graveyard on the nothingness ... matter . " It is no matter " : nothing matters . The last scene opens . He narrates to Horatio the events of the ...
... matter on his attention , he shows no consciousness of this position . He muses in the graveyard on the nothingness ... matter . " It is no matter " : nothing matters . The last scene opens . He narrates to Horatio the events of the ...
Seite 284
... matter ? What he read in his authority was absolutely nothing to his audience , and remains nothing to us , unless he used what he read . And he did not use this idea . He used nothing but the phrase " weird sisters , " 10 which ...
... matter ? What he read in his authority was absolutely nothing to his audience , and remains nothing to us , unless he used what he read . And he did not use this idea . He used nothing but the phrase " weird sisters , " 10 which ...
Seite 409
... matter greatly , so long as the reader is consistent ; for the important point is not the precise number of run - on lines in a play , but the difference in this matter between one play and another . Thus one may disagree with König in ...
... matter greatly , so long as the reader is consistent ; for the important point is not the precise number of run - on lines in a play , but the difference in this matter between one play and another . Thus one may disagree with König in ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words