Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 63
... means one who holds his work away from him , scrutinizes and judges it , and , if need be , alters it and alters it till it comes as near satisfying him as he can make it , I am sure that Shakespeare fre- quently employed such conscious ...
... means one who holds his work away from him , scrutinizes and judges it , and , if need be , alters it and alters it till it comes as near satisfying him as he can make it , I am sure that Shakespeare fre- quently employed such conscious ...
Seite 248
... means that she had much less force , courage and initiative than her sister , and for that reason is less formidable ... means nothing , but the fact that it is given to her means some- thing . For some further remarks on Goneril see ...
... means that she had much less force , courage and initiative than her sister , and for that reason is less formidable ... means nothing , but the fact that it is given to her means some- thing . For some further remarks on Goneril see ...
Seite 379
... means " Gloster's " ; but " him " all through the speech evidently means Lear . that , at a time shortly before that of the Notes 379.
... means " Gloster's " ; but " him " all through the speech evidently means Lear . that , at a time shortly before that of the Notes 379.
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words