Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 40
... merely as failing to meet its demand , of Antony as merely sinning against it , or even of Macbeth as simply attacking it . What we feel corresponds quite as much to the idea that they are its parts , expressions , products ; that in ...
... merely as failing to meet its demand , of Antony as merely sinning against it , or even of Macbeth as simply attacking it . What we feel corresponds quite as much to the idea that they are its parts , expressions , products ; that in ...
Seite 129
... mere critic is not obliged to do this . Where he remains in doubt he may say so , and , if the matter is of importance , he ought to say so . This is the position in ... merely because Ophelia was dead , and not to imply that IV : 129 Hamlet.
... mere critic is not obliged to do this . Where he remains in doubt he may say so , and , if the matter is of importance , he ought to say so . This is the position in ... merely because Ophelia was dead , and not to imply that IV : 129 Hamlet.
Seite 318
... mere thoughts , not intentions . But still they are " thoughts , " something more , probably , than mere recollections ... merely looking forward to a conversa- tion about them at some future time . But why does he go on , " If you shall ...
... mere thoughts , not intentions . But still they are " thoughts , " something more , probably , than mere recollections ... merely looking forward to a conversa- tion about them at some future time . But why does he go on , " If you shall ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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