Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 74
... passion , but not all of them display these extreme forms of evil . Neither of the last two does so . Antony and Coriolanus are , from one point of view , victims of passion ; but the passion that ruins Antony also exalts him , he ...
... passion , but not all of them display these extreme forms of evil . Neither of the last two does so . Antony and Coriolanus are , from one point of view , victims of passion ; but the passion that ruins Antony also exalts him , he ...
Seite 149
... passion , and driven by it to a crime which is also a hideous blunder . Such a passion as ambition , however terrible its results , is not itself ignoble ; if we separate it in thought from the conditions which make it guilty , it does ...
... passion , and driven by it to a crime which is also a hideous blunder . Such a passion as ambition , however terrible its results , is not itself ignoble ; if we separate it in thought from the conditions which make it guilty , it does ...
Seite 186
... passions , a passion of ambition and a passion of hatred ; for no ambition or hatred short of passion could drive a man who is evidently so clear - sighted , and who must hitherto have been so prudent , into a plot so extremely ...
... passions , a passion of ambition and a passion of hatred ; for no ambition or hatred short of passion could drive a man who is evidently so clear - sighted , and who must hitherto have been so prudent , into a plot so extremely ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words