Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 120
... perhaps the principal pur- pose of the speech - it convinces us that he has learned little or nothing from his delay , or from his failure to seize the opportunity presented to him after the play scene . For , we find , both the motive ...
... perhaps the principal pur- pose of the speech - it convinces us that he has learned little or nothing from his delay , or from his failure to seize the opportunity presented to him after the play scene . For , we find , both the motive ...
Seite 212
... perhaps con- nected with the harshness of both the sisters to their father , although Regan has apparently had no opportunity of show- ing any harshness till the day before . ( b ) In the quarrel with Goneril Lear speaks of his having ...
... perhaps con- nected with the harshness of both the sisters to their father , although Regan has apparently had no opportunity of show- ing any harshness till the day before . ( b ) In the quarrel with Goneril Lear speaks of his having ...
Seite 314
... perhaps characteristic that this human feeling should show itself most clearly in reference to an act for which she was not directly responsible , and in regard to which therefore she does not feel the instinct of self - assertion . 6 ...
... perhaps characteristic that this human feeling should show itself most clearly in reference to an act for which she was not directly responsible , and in regard to which therefore she does not feel the instinct of self - assertion . 6 ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words