Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 49
... play which is relatively unexciting , the scenes of lower tension may be as long as those of higher ; while in a portion of the play which is specially exciting the scenes of low tension are shorter , often much shorter , than the ...
... play which is relatively unexciting , the scenes of lower tension may be as long as those of higher ; while in a portion of the play which is specially exciting the scenes of low tension are shorter , often much shorter , than the ...
Seite 80
... play by no means wholly depends on this most subtle creation . We are all aware of this , and if we were not so the history of Hamlet , as a stage play , might bring the fact home to us . It is today the most popular of Shakespeare's ...
... play by no means wholly depends on this most subtle creation . We are all aware of this , and if we were not so the history of Hamlet , as a stage play , might bring the fact home to us . It is today the most popular of Shakespeare's ...
Seite 360
... play has been tam- pered with . We have no text earlier than 1622 , six years after Shakespeare's death . It may be suggested , then , that in the play , as Shakespeare wrote it , there was a gap of some weeks between the arrival in ...
... play has been tam- pered with . We have no text earlier than 1622 , six years after Shakespeare's death . It may be suggested , then , that in the play , as Shakespeare wrote it , there was a gap of some weeks between the arrival in ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words