Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
Im Buch
Ergebnisse 1-3 von 50
Seite 67
... regard his plays as mere stage dramas of the mo- ment . ) ( e ) To turn to another field , the early critics were no doubt often provokingly wrong when they censured the lan- guage of particular passages in Shakespeare as obscure , in ...
... regard his plays as mere stage dramas of the mo- ment . ) ( e ) To turn to another field , the early critics were no doubt often provokingly wrong when they censured the lan- guage of particular passages in Shakespeare as obscure , in ...
Seite 182
... regard for others is an absurdity . He does not deny that this absurdity exists . He does not suppose that most people secretly share his creed , while pretending to hold up and practice another . On the contrary , he regards most ...
... regard for others is an absurdity . He does not deny that this absurdity exists . He does not suppose that most people secretly share his creed , while pretending to hold up and practice another . On the contrary , he regards most ...
Seite 373
... regard to my view that she failed to think of the handkerchief when she saw how angry Othello was , those who believe that she did think of it will of course also be- lieve that she suspected Iago . But in addition to other diffi ...
... regard to my view that she failed to think of the handkerchief when she saw how angry Othello was , those who believe that she did think of it will of course also be- lieve that she suspected Iago . But in addition to other diffi ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words