Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 99
... thought , too curiously . There was a neces- sity in his soul driving him to penetrate below the surface and to question what others took for granted . That fixed habit- ual look which the world wears for most men did not exist for him ...
... thought , too curiously . There was a neces- sity in his soul driving him to penetrate below the surface and to question what others took for granted . That fixed habit- ual look which the world wears for most men did not exist for him ...
Seite 112
... thought that for some time he supposes himself to be alone . What is he thinking of ? " The Murder of Gonzago , " which is to be played in a few hours , and on which everything depends ? Not at all . He is meditating on suicide ; and he ...
... thought that for some time he supposes himself to be alone . What is he thinking of ? " The Murder of Gonzago , " which is to be played in a few hours , and on which everything depends ? Not at all . He is meditating on suicide ; and he ...
Seite 274
... thought that the great world must perish utterly and that man is but a dream , is the sudden recollection of gross and apparently incurable evil in the " monster " whom he had tried in vain to raise and soften , and in the monster's ...
... thought that the great world must perish utterly and that man is but a dream , is the sudden recollection of gross and apparently incurable evil in the " monster " whom he had tried in vain to raise and soften , and in the monster's ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words