Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
Im Buch
Ergebnisse 1-3 von 93
Seite 27
... tragic character is to compare it with a character of an- other kind . Dramas like Cymbeline and the Winter's Tale , which might seem destined to end tragically , but actually end otherwise , owe their happy ending largely to the fact ...
... tragic character is to compare it with a character of an- other kind . Dramas like Cymbeline and the Winter's Tale , which might seem destined to end tragically , but actually end otherwise , owe their happy ending largely to the fact ...
Seite 28
... tragic hero as a being destroyed simply and solely by external forces is quite alien to him ; and not less so is the idea of the hero as contributing to his destruction only by acts in which we see no flaw . But the fatal imperfection ...
... tragic hero as a being destroyed simply and solely by external forces is quite alien to him ; and not less so is the idea of the hero as contributing to his destruction only by acts in which we see no flaw . But the fatal imperfection ...
Seite 29
... tragic hero ( which is not always confined to him ) is connected , secondly , what I venture to describe as the center of the tragic impression . This central feeling is the impression of waste . With Shakespeare , at any rate , the ...
... tragic hero ( which is not always confined to him ) is connected , secondly , what I venture to describe as the center of the tragic impression . This central feeling is the impression of waste . With Shakespeare , at any rate , the ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words