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In more advanced years, however, he thoroughly reformed; obtained a seat in parliament, and actively assisted to bring about the Revolution. King James had had an intrigue with Sedley's daughter, and created her Countess of Dorchester-a circumstance which greatly exasperated the poet against the court. 'I hate ingratitude,' said he, 'and as the king has made my daughter a countess, I will endeavor to make his daughter a queen'— alluding to the Princess Mary, wife of the Prince of Orange. Sedley's conversation was highly prized, and he lived to delight his friends with it till nearly the sixty-third year of his age. His death occurred in 1701.

Sir Charles Sedley was a much more voluminous writer than any other of his noble contemporary wits. His works comprise two octavo volumes, and consist of plays, translations, songs, and occasional poems. His songs are light and graceful, with a more studied and felicitous diction than is seen in any other of the court poets. One of his best, Ah, Chloris! could I now but sit,' is found in his play, The Mulberry Garden, and has often been published as the composition of the Scottish patriot, Duncan Forbes, of Culloden. It is as follows:

SONG.

Ah, Chloris! could I now but sit

As unconcern'd as when

Your infant beauty could beget

No happiness or pain.
When I this dawning did admire,
And praised the coming day,

I little thought the rising fire
Would take my rest away.

Your charms in harmless childhood lay

Like metals in a mine;

Age from no face takes more away,

Than youth conceal'd in thine.

But as your charms insensibly

To their perfection prest,

So love as unperceiv'd did fly,
And center'd in my breast.

My passion with your beauty grew-
While Cupid at my heart,

Still as his mother favour'd you,

Threw a new flaming dart.

Each gloried in their wanton part;

To make a lover, he

Employ'd the utmost of his art-
To make a beauty, she.

JOHN WILMOT, Earl of Rochester, was the son of Henry, Earl of Rochester, and was born on the ninth of April, 1647. He was educated in classical literature at Burford free-school, and there acquired the Latin language to such perfection, that till his death he retained the keenest relish for its

beauties. In 1659, he was admitted a nobleman of Wadham College, Oxford, and in 1661, was, by special dispensation, created master of arts in convocation. Rochester, after he left the university, travelled through France and Italy, and on his return to England became connected with the court, and soon, in the figurative language of Dr. Johnson, 'blazed out his youth and his health in lavish voluptuousness,' and died from physical exhaustion and decay, on the twenty-sixth of July, 1680, before he had reached the thirty-third year of his age.

In the profligate court of Charles the Second, Rochester was the most profligate. His intrigues, his low amours, and disguises, his erecting a stage and playing the mountebank on Tower-hill, and his having been five years in a state of inebriety, are circumstances well known, and even admitted by himself. It is remarkable, however, that his domestic letters, which were recently published, show him in a totally different light-tender, playful, and alive to all the affections of a husband, a father, and a son. His repentance itself says much for the natural character of the unfortunate profligate. If we may judge from the memoir left by Dr. Burnet, who was his lordship's spiritual guide on his death-bed, it was sincere and unreserved. We may therefore, without hesitation, regard Rochester as one of those unfortunate men whose vices are less the effect of an inborn tendency, than of external corrupting circumstances. It may, with great propriety, be said of him, that nothing in his life became him like the leaving it.'

Rochester's poems consist chiefly of light effusions, thrown off without apparent labor. Many of them are so very licentious as to be unfit for publication; but in one of these, he has, in one line, happily hit off the character of Charles the Second:

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A merry monarch, scandalous, and poor.

Rochester's songs, of which the two that follow are but fair specimens, are exceedingly sweet and musical ::

SONG.

While on those lovely looks I gaze,

To see a wretch pursuing,

In raptures of a bless'd amaze,

His pleasing happy ruin;

"Tis not for pity that I move;

His fate is too aspiring,

Whose heart, broke with a load of love,

Dies wishing and admiring.

But if this murder you'd forego,
Your slave from death removing,
Let me your art of charming know,
Or learn you mine of loving.
But whether life or death betide,
In love 'tis equal measure;
The victor lives with empty pride,

The vanquish'd die with pleasure.

CONSTANCY.

I can not change as others do,
Though you unjustly scorn;

Since that poor swain that sighs for you,

For you alone was born.

No, Phillis, no; your heart to move

A surer way I'll try;

And, to revenge my slighted love,

Will still love on, will still love on, and die.

When kill'd with grief Amyntas lies,

And you to mind shall call

The sighs that now unpitied rise,

The tears that vainly fall;

That welcome hour that ends this smart

Will then begin your pain,

For such a faithful, tender heart

Can never break, can never break in vain.

The following letters, the one to his wife, and the other to his son, will ever be read with deep interest; as confirmatory of the tenderness of his domestic relations :—

I am very glad to hear news from you, and I think it very good when I hear you are well; pray be pleased to send me word what you are apt to be pleased with, that I may show you how good a husband I can be; I would not have you so formal as to judge of the kindness of a letter by the length of it, but believe of every thing that it is as you would have it.

'Tis not an easy thing to be entirely happy; but to be kind is very easy, and that is the greatest measure of happiness. I say not this to put you in mind of being kind to me; you have practiced that so long, that I have a joyful confidence you will never forget it; but to show that I myself have a sense of what the methods of my life seem so utterly to contradict, I must not be too wise about my own follies, or else this letter had been a book dictated to you, and published to the world. It will be more pertinent to tell you, that very shortly the king goes to Newmarket, and then I shall wait on you at Adderbury; in the mean time, think of any thing you would have me do, and I shall thank you for the occasion of pleasing you.

Mr. Morgan I have sent in this errand, because he plays the rogue here in town so extremely, that he is not to be endured; pray, if he behaves himself so at Adderbury, send me word, and let him stay till I send for him. Pray, let Ned come up to town; I have a little business with him, and he shall be back in a week.

Wonder not that I have not written to you all this while, for it was hard for me to know what to write upon several accounts; but in this I will only desire you not to be too much amazed at the thoughts my mother has of you, since, being mere imaginations, they will as easily vanish, as they were groundlessly erected; for my own part, I will make it my endeavour they may. What you desired of me in your other letters, shall punctually have performed. You must, I think, obey my mother in her commands to wait on her at Aylesbury, as I told you in my last letter. I am very dull at this time, and therefore think it pity in this humour to testify myself to you any farther; only, dear wife, I am your humble servant,

ROCHESTER.

Run away like a rascal, without taking leave, dear wife; it is an impolite way of proceeding, which a modest man ought to be ashamed of. I have left you a prey

to your own imaginations, amongst my relations-the worst of damnations; but there will come an hour of deliverance, till when may my mother be merciful to you; so I commit you to what shall ensue, woman to woman, wife to mother, in hopes of a future appearance in glory. The small share I could spare you out of my pocket, I have sent as a debt to Mrs. Rowse. Within a week or ten days I will return you more: pray, write as often as you have leisure to your

ROCHESTER.

I hope, Charles, when you receive this, and know that I have sent this gentleman to be your tutor, you will be very glad to see I take such care of you, and be very grateful, which is best shown in being obedient and diligent. You are now grown big enough to be a man, and you can be wise enough; for the way to be truly wise is to serve God, learn your book, and observe the instructions of your parents first, and next your tutor, to whom I have entirely resigned you for this seven years, and, according as you employ that time, you are to be happy or unhappy forever; but I have so good an opinion of you, that I am glad to think you will never deceive me; dear child, learn your book and be obedient, and you shall see what a father I will be to you. You shall want no pleasure while you are good, and that you may be so are my constant prayers.

ROCHESTER.

JOHN SHEFFIELD, Duke of Buckingham, was descended from a long series of illustrious ancestors, and was born in 1649. His father, the Earl of Mulgrave, died in 1658, when Sheffield was only nine years of age; and the young lord was placed under the care of a governor to be brought up and educated. He, however, was so little satisfied with this arrangement, that he soon relieved his tutor of his charge, and at an age not exceeding twelve years, resolved to educate himself. Such a purpose formed at so early an age, is, in itself, extraordinary; and being successfully prosecuted, it imparts a lesson of sound instruction. Through his own personal efforts, Sheffield early became an accomplished scholar; and his literary acquisitions are the more wonderful, as they were made during the tumult of a military life, or the gayety of a court. He accompanied Prince Rupert, as a volunteer, in the second Dutch war; and in order to become an accomplished soldier he afterward served a campaign in the French army, under Marshal Turenne. Having signalized himself in various commands abroad, Sheffield, on his return to England, was made one of the lords of the bed-chamber to Charles the Second; and on the accession of James the Second to the crown, he became a member of that monarch's privy council. He, however, acquiesced in the Revolution, and was afterward a member of the cabinet council of William and Mary, with an annual pension of three thousand pounds. Sheffield was a distinguished favorite with Queen Anne, who, after the ascended the throne, heaped favors upon him with a very lavish hand. Opposed to the accession of George the First, he continued actively engaged in public affairs till his death, which occurred on the twenty-fourth of February, 1721.

Sheffield was the author of several poems, among which are an Essay on Satire, and an Essay on Poetry, the latter of which should, perhaps, be regarded as his principal performance. It is written in the heroic couplet,

and in all probability suggested Pope's 'Essay on Criticism.' It is of the style and order of merit of Denham and Roscommon-plain, perspicuous, and sensible, but contains little of true poetry. We subjoin the following extract :

Of all those arts in which the wise excel,
Nature's chief master-piece is writing well;
No writing lifts exalted man so high,
As sacred and soul-moving poesy:
No kind of work requires so nice a touch,
And if well finish'd, nothing shines so much.
But heaven forbid we should be so profane
To grace the vulgar with that noble name.
'Tis not a flash of fancy, which, sometimes
Dazzling our minds, sets off the slightest rhymes;
Bright as a blaze, but in a moment done:
True wit is everlasting like the sun,

Which, though sometimes behind a cloud retir'd,
Breaks out again, and is by all admir'd.

Number and rhyme, and that harmonious sound
Which not the nicest ear with harshness wound,
Are necessary, yet but vulgar arts;
And all in vain these superficial parts
Contribute to the structure of the whole;
Without a genius, too, for that's the soul:
A spirit which inspires the work throughout,
As that of nature moves the world about;
A flame that glows amidst conceptions fit,
Even something of divine, and more than wit;
Itself unseen, yet all things by it shown,
Describing all men, but describ'd by none.
Where dost thou dwell? what caverns of the brain
Can such a vast and mighty thing contain?
When I at vacant hours in vain thy absence mourn,
O where dost thou retire? and why dost thou return,
Sometimes with powerful charms, to hurry me away
From pleasures of the night and business of the day?
Ev'n now too far transported, I am fain

To check thy course, and use the needful rein,
As all is dullness when the fancy's bad,

So without judgment fancy is but mad:
And judgment has a boundless influence,
Not only in the choice of words or sense,

But on the world, on manners, and on men:

Fancy is but the feather of the pen;

Reason is that substantial useful part

Which gains the head, while t' other wins the hear.

From the noble poets who have thus far occupied our attention during the present remarks, we proceed to notice Prior, Pomfret, and Swift, by whom we shall be fairly introduced to the literary age of Queen Anne.

MATTHEW PRIOR belongs to that extraordinary class of men whose mental

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