Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 131
... doubt , of which there has not been the slightest trace before , is no genuine doubt ; it is an unconscious fiction , an excuse for his delay- and for its continuance . A night passes , and the day that follows it brings the crisis ...
... doubt , of which there has not been the slightest trace before , is no genuine doubt ; it is an unconscious fiction , an excuse for his delay- and for its continuance . A night passes , and the day that follows it brings the crisis ...
Seite 135
... doubt should observe the fact that , when the Ghost reappears , Hamlet does not think of justifying his delay by the ... doubt that Hamlet would have been very sorry to send his father's murderer to heaven , nor much to doubt that he ...
... doubt should observe the fact that , when the Ghost reappears , Hamlet does not think of justifying his delay by the ... doubt that Hamlet would have been very sorry to send his father's murderer to heaven , nor much to doubt that he ...
Seite 200
... doubts that he had a hand in it : it is certain that he knew it , for reminiscences of it are scattered through his plays . Now no one who reads Titus Andronicus with an open mind can doubt that Aaron was , in our sense , black ; and he ...
... doubts that he had a hand in it : it is certain that he knew it , for reminiscences of it are scattered through his plays . Now no one who reads Titus Andronicus with an open mind can doubt that Aaron was , in our sense , black ; and he ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words