Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 225
... expressed in the first conversation with Roderigo , and from that moment is never once mentioned again in the whole play . Hatred of Othello is expressed in the First Act alone . Desire to get Cassio's place scarcely appears after the ...
... expressed in the first conversation with Roderigo , and from that moment is never once mentioned again in the whole play . Hatred of Othello is expressed in the First Act alone . Desire to get Cassio's place scarcely appears after the ...
Seite 289
... expressed , but still emerges , in these words of Lamb's : the explosions of his " Strength should be lord of imbecility , And the rude son should strike his father dead : Force should be right ; or , rather , right and wrong , Between ...
... expressed , but still emerges , in these words of Lamb's : the explosions of his " Strength should be lord of imbecility , And the rude son should strike his father dead : Force should be right ; or , rather , right and wrong , Between ...
Seite 413
... expressed his opinion prior to the time of his reading Schlegel's Lectures ; and , whatever he said to the contrary , his borrowings from Schlegel are demonstrable . 1. If the speech was meant to be ridiculous , NOTES ON HAMLET 413 NOTE ...
... expressed his opinion prior to the time of his reading Schlegel's Lectures ; and , whatever he said to the contrary , his borrowings from Schlegel are demonstrable . 1. If the speech was meant to be ridiculous , NOTES ON HAMLET 413 NOTE ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words