Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 30
... fate or no , it can hardly be denied that it does appear as the ultimate power in the tragic world , and that it has such characteristics as these . But the name ' fate ' may be intended to imply something more-- to imply that this ...
... fate or no , it can hardly be denied that it does appear as the ultimate power in the tragic world , and that it has such characteristics as these . But the name ' fate ' may be intended to imply something more-- to imply that this ...
Seite 36
... fate . And the idea which they in their turn , when taken alone , may suggest , is that of an order which does not indeed award ' poetic justice , ' but which reacts through the neces- sity of its own ' moral ' nature both against ...
... fate . And the idea which they in their turn , when taken alone , may suggest , is that of an order which does not indeed award ' poetic justice , ' but which reacts through the neces- sity of its own ' moral ' nature both against ...
Seite 181
... fate which works itself out alike in the external conflict and in the hero's soul , is obviously hostile to evil ; and the imagi- nation is dilated both by the consciousness of its presence and by the appearance of supernatural agencies ...
... fate which works itself out alike in the external conflict and in the hero's soul , is obviously hostile to evil ; and the imagi- nation is dilated both by the consciousness of its presence and by the appearance of supernatural agencies ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words