Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 7
... hero , 1 or at most of two , the hero ' and ' heroine . Moreover , it is only in the love - tragedies , Romeo and Juliet and Antony and Cleopatra , that the heroine is as much the centre of the action as the hero . The rest , including ...
... hero , 1 or at most of two , the hero ' and ' heroine . Moreover , it is only in the love - tragedies , Romeo and Juliet and Antony and Cleopatra , that the heroine is as much the centre of the action as the hero . The rest , including ...
Seite 18
... hero opposes to a hostile force an undivided soul , is not the Shakespearean type . The souls of those who contend with the hero may be thus undivided ; they generally are ; but , as a rule , the hero , though he pursues his fated way ...
... hero opposes to a hostile force an undivided soul , is not the Shakespearean type . The souls of those who contend with the hero may be thus undivided ; they generally are ; but , as a rule , the hero , though he pursues his fated way ...
Seite 45
... hero's happiness , so that , when we see the hero himself , the shadow of fate already rests upon him . And an effect of this kind is to be noticed in other tragedies . We are made conscious at once of some power which is to influence ...
... hero's happiness , so that , when we see the hero himself , the shadow of fate already rests upon him . And an effect of this kind is to be noticed in other tragedies . We are made conscious at once of some power which is to influence ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words