Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 12
... interest lay here . that it lay in mere character , or was a psycho- logical interest , would be a great mistake , for he was dramatic to the tips of his fingers . It is possible to find places where he has given a certain indulgence to ...
... interest lay here . that it lay in mere character , or was a psycho- logical interest , would be a great mistake , for he was dramatic to the tips of his fingers . It is possible to find places where he has given a certain indulgence to ...
Seite 18
... interest and dwells in our memory at least as much as the conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a ...
... interest and dwells in our memory at least as much as the conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a ...
Seite 255
... interest to another , is overstrained . He becomes , if not intellectually confused , at least emotionally fatigued . The battle , on which every- thing turns , scarcely affects him . The deaths of Edmund , Goneril , Regan and Gloster ...
... interest to another , is overstrained . He becomes , if not intellectually confused , at least emotionally fatigued . The battle , on which every- thing turns , scarcely affects him . The deaths of Edmund , Goneril , Regan and Gloster ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words