Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 278
... mean that King Lear 1 A flaw , I mean , in a work of art considered not as a moral or theological document but as a work of art , -an aesthetic flaw . I add the word ' considerable ' because we do not regard the effect in question as a ...
... mean that King Lear 1 A flaw , I mean , in a work of art considered not as a moral or theological document but as a work of art , -an aesthetic flaw . I add the word ' considerable ' because we do not regard the effect in question as a ...
Seite 289
... mean that King Lear 1 A flaw , I mean , in a work of art considered not as a moral or theological document but as a work of art , -an aesthetic flaw . I add the word ' considerable ' because we do not regard the effect in question as a ...
... mean that King Lear 1 A flaw , I mean , in a work of art considered not as a moral or theological document but as a work of art , -an aesthetic flaw . I add the word ' considerable ' because we do not regard the effect in question as a ...
Seite 374
... mean present weakness , they mean also perception of the future . At one point in the murder scene the force of his imagina- tion impresses her , and for a moment she is startled ; a light threatens to break on her : These deeds must ...
... mean present weakness , they mean also perception of the future . At one point in the murder scene the force of his imagina- tion impresses her , and for a moment she is startled ; a light threatens to break on her : These deeds must ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words