Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 98
... observe that even if this passage did show that one hindrance to Hamlet's action was his conscience , it by no means follows that this was the sole or the chief hindrance . And , thirdly , let him observe , and let him ask him- self ...
... observe that even if this passage did show that one hindrance to Hamlet's action was his conscience , it by no means follows that this was the sole or the chief hindrance . And , thirdly , let him observe , and let him ask him- self ...
Seite 107
... observe , who at any time and in any circumstances would be unequal to the task assigned to Hamlet . And thus , I must maintain , it degrades Hamlet and travesties the play . For Hamlet , according to all the indications in the text ...
... observe , who at any time and in any circumstances would be unequal to the task assigned to Hamlet . And thus , I must maintain , it degrades Hamlet and travesties the play . For Hamlet , according to all the indications in the text ...
Seite 231
... observe , to take only one point , the curious analogy between the early stages of dramatic composition and those soliloquies in which Iago broods over his plot , drawing at first only an outline , puzzled how to fix more than the main ...
... observe , to take only one point , the curious analogy between the early stages of dramatic composition and those soliloquies in which Iago broods over his plot , drawing at first only an outline , puzzled how to fix more than the main ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words