Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 83
... passion , but not all of them display these extreme forms of evil . Neither of the last two does so . Antony and Coriolanus are , from one point of view , victims of passion ; but the passion that ruins Antony also exalts him , he ...
... passion , but not all of them display these extreme forms of evil . Neither of the last two does so . Antony and Coriolanus are , from one point of view , victims of passion ; but the passion that ruins Antony also exalts him , he ...
Seite 190
... passion . Shakespeare em- phasises his self - control , not only by the wonderful pictures of the First Act , but by references to the past . Lodovico , amazed at his violence , exclaims : Is this the noble Moor whom our full Senate ...
... passion . Shakespeare em- phasises his self - control , not only by the wonderful pictures of the First Act , but by references to the past . Lodovico , amazed at his violence , exclaims : Is this the noble Moor whom our full Senate ...
Seite 224
... passions , a passion of ambition and a passion of hatred ; for no ambition or hatred short of passion could drive a man who is evidently so clear - sighted , and who must hitherto have been so prudent , into a plot so extremely ...
... passions , a passion of ambition and a passion of hatred ; for no ambition or hatred short of passion could drive a man who is evidently so clear - sighted , and who must hitherto have been so prudent , into a plot so extremely ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words