Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 72
... soliloquy we ought never to feel that we are being addressed . And in this respect , as in others , many of the soliloquies are master - pieces . But certainly in some the purpose of giving information lies bare , and in one or two the ...
... soliloquy we ought never to feel that we are being addressed . And in this respect , as in others , many of the soliloquies are master - pieces . But certainly in some the purpose of giving information lies bare , and in one or two the ...
Seite 132
... soliloquy ( O that this too too solid flesh would melt ' ) two months ago , before ever he heard of his father's murder.1 His reflections have no reference to this particular moment ; they represent that habitual weariness . of life ...
... soliloquy ( O that this too too solid flesh would melt ' ) two months ago , before ever he heard of his father's murder.1 His reflections have no reference to this particular moment ; they represent that habitual weariness . of life ...
Seite 225
... soliloquy , and when it is gratified Iago does not refer to it by a single word . The suspicion of Cassio's intrigue with Emilia emerges suddenly , as an after - thought , not in the first soliloquy but the second , and then disappears ...
... soliloquy , and when it is gratified Iago does not refer to it by a single word . The suspicion of Cassio's intrigue with Emilia emerges suddenly , as an after - thought , not in the first soliloquy but the second , and then disappears ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words