Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 74
... speaking rather than Laertes ? Or when the player - king discourses for more than twenty lines on the instability of ... speak alike ; and in fact they are far from doing so . as are in the First Quarto Polonius's ' few precepts 74 LECT ...
... speaking rather than Laertes ? Or when the player - king discourses for more than twenty lines on the instability of ... speak alike ; and in fact they are far from doing so . as are in the First Quarto Polonius's ' few precepts 74 LECT ...
Seite 380
... speak to him . To Mac- beth's brief appeal , Speak , if you can : what are you ? ' they at once reply , not by saying what they are , but by hailing him Thane of Glamis , Thane of Cawdor , and King hereafter . Banquo is greatly ...
... speak to him . To Mac- beth's brief appeal , Speak , if you can : what are you ? ' they at once reply , not by saying what they are , but by hailing him Thane of Glamis , Thane of Cawdor , and King hereafter . Banquo is greatly ...
Seite 465
... Speak what we feel , not what we ought to say . The oldest hath borne most : we that are young Shall never see so much , nor live so long . So the Globe . The stage - direction ( right , of course ) is John- son's . The last four lines ...
... Speak what we feel , not what we ought to say . The oldest hath borne most : we that are young Shall never see so much , nor live so long . So the Globe . The stage - direction ( right , of course ) is John- son's . The last four lines ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words