Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 145
... tion to fulfil the appointed duty . On the contrary , they seem to express that kind of religious resig- nation which , however beautiful in one aspect , really deserves the name of fatalism rather than that of faith in Providence ...
... tion to fulfil the appointed duty . On the contrary , they seem to express that kind of religious resig- nation which , however beautiful in one aspect , really deserves the name of fatalism rather than that of faith in Providence ...
Seite 285
... tion of King Lear , and declared that the business of the gods with him was neither to torment him , nor to teach him a noble anger , but to lead him to attain through apparently hopeless failure the very end and aim of life ? One can ...
... tion of King Lear , and declared that the business of the gods with him was neither to torment him , nor to teach him a noble anger , but to lead him to attain through apparently hopeless failure the very end and aim of life ? One can ...
Seite 289
... tion of King Lear , and declared that the business of the gods with him was neither to torment him , nor to teach him a noble anger , but to lead him to attain through apparently hopeless failure the very end and aim of life ? One can ...
... tion of King Lear , and declared that the business of the gods with him was neither to torment him , nor to teach him a noble anger , but to lead him to attain through apparently hopeless failure the very end and aim of life ? One can ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words