Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 21
... tragically , but actually end otherwise , owe their happy ending largely to the fact that the principal characters fail to reach tragic dimen- sions . And , conversely , if these persons were put in the place of the tragic heroes , the ...
... tragically , but actually end otherwise , owe their happy ending largely to the fact that the principal characters fail to reach tragic dimen- sions . And , conversely , if these persons were put in the place of the tragic heroes , the ...
Seite 23
... tragic hero ( which is not always confined to him ) is connected , secondly , what I venture to describe as the centre of the tragic impression . This central feeling is the impression of waste . With Shake- speare , at any rate , the ...
... tragic hero ( which is not always confined to him ) is connected , secondly , what I venture to describe as the centre of the tragic impression . This central feeling is the impression of waste . With Shake- speare , at any rate , the ...
Seite 324
... tragic impressions , and , regarded alone , could hardly be called tragic . For it seems to imply ( though we are probably quite unconscious of the implication ) an idea which , if developed , would transform the tragic view of things ...
... tragic impressions , and , regarded alone , could hardly be called tragic . For it seems to imply ( though we are probably quite unconscious of the implication ) an idea which , if developed , would transform the tragic view of things ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words