Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1949 - 432 Seiten Nearly half a million copies in print. A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. In his ten lectures A.C.Bradley has provided a study of the four great tragedies - Hamlet, Othello, King Lear and Macbeth - which reveals a deep understanding of Shakepearean thought and art. John Russell Brown, a distinguished Shakespearean scholar, has written an entirely new introduction for this third edition which considers the enormous contribution of Bradley's work to twentieth-century Shakespeare criticism. |
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Seite 154
... truth bursts from him in the declaration quoted just now , though it is still impossible for him to explain to others why he who loved her so profoundly was forced to wring her heart . Now this theory , if the view of Hamlet's character ...
... truth bursts from him in the declaration quoted just now , though it is still impossible for him to explain to others why he who loved her so profoundly was forced to wring her heart . Now this theory , if the view of Hamlet's character ...
Seite 237
... truth , and Cassio will deny it in vain . And then , in a moment , his plot is shattered by a blow from a quarter where he never dreamt of danger . He knows his wife , he thinks . She is not over - scrupulous , she will do anything to ...
... truth , and Cassio will deny it in vain . And then , in a moment , his plot is shattered by a blow from a quarter where he never dreamt of danger . He knows his wife , he thinks . She is not over - scrupulous , she will do anything to ...
Seite 321
... truth were the one and only obligation , to tell much less than truth is not to tell it . And Cordelia's speech not only tells much less than truth about her love , it actually perverts the truth when it implies that to give love to a ...
... truth were the one and only obligation , to tell much less than truth is not to tell it . And Cordelia's speech not only tells much less than truth about her love , it actually perverts the truth when it implies that to give love to a ...
Inhalt
KING LEAR | 3 |
LECTURE I | 5 |
LECTURE II | 40 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression insanity Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness mean melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech story suffering suppose surely things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole Witches words