The St. James's Magazine, Band 2

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W. Kent, 1861

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Seite 503 - Humpty Dumpty sat on a wall: Humpty Dumpty had a great fall. All the King's horses and all the King's men Couldn't put Humpty Dumpty in his place again.
Seite 45 - I'll believe thee. Rom. If my heart's dear love Jul. Well, do not swear: although I joy in thee, I have no joy of this contract to-night : It is too rash, too unadvised, too sudden ; Too like the lightning, which doth cease to be, Ere one can say — It lightens.
Seite 454 - You shall well and truly try, and true deliverance make, between our Sovereign Lord the King and the prisoner at the bar, whom you shall have in charge, and a true verdict give, according to the evidence. So help you God.
Seite 338 - ... the night, Her breathing soft and low, As in her breast the wave of life Kept heaving to and fro. So silently we seemed to speak, So slowly moved about, As we had lent her half our powers To eke her living out. Our very hopes belied our fears, Our fears our hopes belied—- We thought her dying when she slept, And sleeping when she died.
Seite 92 - The writers of history seem to entertain an aristocratical contempt for the writers of memoirs. They think it beneath the dignity of men who describe the revolutions of nations to dwell on the details which constitute the charm of biography.
Seite 92 - While our historians are practising all the arts of controversy, they miserably neglect the art of narration, the art of interesting the affections and presenting pictures to the imagination.
Seite 236 - From the North to the South, from the East to the West...
Seite 496 - He that ruleth his spirit is greater than he that taketh a city.
Seite 92 - ... flows. We read of defeats and victories. But we know that nations may be miserable amidst victories, and prosperous amidst defeats. We read of the fall of wise ministers, and of the rise of profligate favourites. But we must remember how small a proportion the good or evil effected by a single statesman can bear to the good or evil of a great social system.
Seite 285 - Not long before this time, the Italian opera began first to steal into England ; but in as rude a disguise, and unlike itself, as possible ; in a lame, hobbling translation into our own language, with false quantities, or metre out of measure to its original notes, sung by our own unskilful voices, with graces misapplied to almost every sentiment, and with action lifeless and unmeaning through every character.

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