Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 118
... Ghost to be meant for an hallucina- tion ; and it is of great importance here that the spectator or reader should not suppose any such thing . He is further guarded by the fact that the Ghost proves , so to speak , his identity by ...
... Ghost to be meant for an hallucina- tion ; and it is of great importance here that the spectator or reader should not suppose any such thing . He is further guarded by the fact that the Ghost proves , so to speak , his identity by ...
Seite 344
... Ghost's message in his tables . In any case Shakespeare , whether he wrote Titus Andronicus or only revised an older play on the subject , might well recall this incident , as he frequently reproduces other things in that drama . NOTE E ...
... Ghost's message in his tables . In any case Shakespeare , whether he wrote Titus Andronicus or only revised an older play on the subject , might well recall this incident , as he frequently reproduces other things in that drama . NOTE E ...
Seite 427
... Ghost in Hamlet even on its last appearance , and like the Ghost in Julius Caesar . ( 6 ) It is visible only to Macbeth . I should attach no weight to ( 6 ) taken alone ( see p . 144 ) . Of ( 3 ) it may be remarked that Brutus himself ...
... Ghost in Hamlet even on its last appearance , and like the Ghost in Julius Caesar . ( 6 ) It is visible only to Macbeth . I should attach no weight to ( 6 ) taken alone ( see p . 144 ) . Of ( 3 ) it may be remarked that Brutus himself ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words