Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 83
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. be asked , was Hamlet to do when the Ghost had left him with its commission of vengeance ? The King was surrounded not merely by courtiers but by a Swiss bodyguard : how was Hamlet ...
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. be asked , was Hamlet to do when the Ghost had left him with its commission of vengeance ? The King was surrounded not merely by courtiers but by a Swiss bodyguard : how was Hamlet ...
Seite 89
... Hamlet's nature , is utterly untrue . It is too kind to Hamlet on one side , and it is quite unjust to him on another . The " conscience " theory at any rate leaves Hamlet a great nature which you can admire and even revere . But for ...
... Hamlet's nature , is utterly untrue . It is too kind to Hamlet on one side , and it is quite unjust to him on another . The " conscience " theory at any rate leaves Hamlet a great nature which you can admire and even revere . But for ...
Seite 340
... Hamlet's youth from the words about his going back to Wittenberg . On the whole I agree with Professor Dowden that , apart from the statements in v , i , one would naturally take Hamlet to be a man of about five and twenty . It has ...
... Hamlet's youth from the words about his going back to Wittenberg . On the whole I agree with Professor Dowden that , apart from the statements in v , i , one would naturally take Hamlet to be a man of about five and twenty . It has ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words