Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 174
... Iago , and Cleo- patra ( I name them in the order of their births ) are probably the most wonderful . Of these , again , Hamlet and Iago , whose births come nearest together , are perhaps the most subtle . And if Iago had been a person ...
... Iago , and Cleo- patra ( I name them in the order of their births ) are probably the most wonderful . Of these , again , Hamlet and Iago , whose births come nearest together , are perhaps the most subtle . And if Iago had been a person ...
Seite 177
... Iago's account of the conversation , it doubtless is the fact that Iago himself was ignorant of military science , while Cassio was an expert , and that Othello explained this to the great personages . That Cassio , again , was an ...
... Iago's account of the conversation , it doubtless is the fact that Iago himself was ignorant of military science , while Cassio was an expert , and that Othello explained this to the great personages . That Cassio , again , was an ...
Seite 185
... Iago repeatedly offers explanations either to Roderigo or to himself . In the first place , he says more than once that he " hates " Othello . He gives two reasons for his hatred . Othello has made Cassio lieutenant ; and he suspects ...
... Iago repeatedly offers explanations either to Roderigo or to himself . In the first place , he says more than once that he " hates " Othello . He gives two reasons for his hatred . Othello has made Cassio lieutenant ; and he suspects ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words