Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 130
... Ophelia never changed . On the revelation made by the Ghost , how- ever , he felt that he must put aside all thoughts of it ; and it also seemed to him necessary to convince Ophelia , as well as others , that he was insane , and so to ...
... Ophelia never changed . On the revelation made by the Ghost , how- ever , he felt that he must put aside all thoughts of it ; and it also seemed to him necessary to convince Ophelia , as well as others , that he was insane , and so to ...
Seite 132
... Ophelia's father , or what the effect on Ophelia is likely to be ? 7. We have seen that there is no reference to Ophelia in the soliloquies of the First Act . Neither is there the faint- est allusion to her in any one of the soliloquies ...
... Ophelia's father , or what the effect on Ophelia is likely to be ? 7. We have seen that there is no reference to Ophelia in the soliloquies of the First Act . Neither is there the faint- est allusion to her in any one of the soliloquies ...
Seite 139
... Ophelia -who in the beginning lay like a little projection of land into a lake or stream covered with spray - flowers quietly re- flected in the quiet waters , but at length is undermined or loosened , and becomes a fairy isle , and ...
... Ophelia -who in the beginning lay like a little projection of land into a lake or stream covered with spray - flowers quietly re- flected in the quiet waters , but at length is undermined or loosened , and becomes a fairy isle , and ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words