Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 43
... Romeo ready to fall violently in love ; and then we hear talk of a marriage between Juliet and Paris ; but the explosion is not complete , and the conflict has not def- initely begun to arise , till , in the last scene of the First Act ...
... Romeo ready to fall violently in love ; and then we hear talk of a marriage between Juliet and Paris ; but the explosion is not complete , and the conflict has not def- initely begun to arise , till , in the last scene of the First Act ...
Seite 46
... Romeo's last speech in the scene : My mind misgives Some consequence yet hanging in the stars Shall bitterly begin his fearful date With this night's revels . When Brabantio , forced to acquiesce in his daughter's stolen marriage ...
... Romeo's last speech in the scene : My mind misgives Some consequence yet hanging in the stars Shall bitterly begin his fearful date With this night's revels . When Brabantio , forced to acquiesce in his daughter's stolen marriage ...
Seite 47
... Romeo and Juliet and Macbeth . But it is not always so . The love of Othello may be said to contend with another force , as the love of Romeo does ; but Othello cannot be said to contend with Iago as Romeo contends with the representa ...
... Romeo and Juliet and Macbeth . But it is not always so . The love of Othello may be said to contend with another force , as the love of Romeo does ; but Othello cannot be said to contend with Iago as Romeo contends with the representa ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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