Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 43
... Shakespeare , are not only speeches but actions and events . From the very beginning of the play , though the conflict has not arisen ... Shakespeare's expositions are master- pieces.6 II : Construction in Shakespeare's Tragedies 43.
... Shakespeare , are not only speeches but actions and events . From the very beginning of the play , though the conflict has not arisen ... Shakespeare's expositions are master- pieces.6 II : Construction in Shakespeare's Tragedies 43.
Seite 67
... Shakespeare seems to have relied on such instructions less than most of his contemporaries ; one fact out of several which might be adduced to prove that he did not regard his plays as mere stage dramas of the mo- ment . ) ( e ) To turn ...
... Shakespeare seems to have relied on such instructions less than most of his contemporaries ; one fact out of several which might be adduced to prove that he did not regard his plays as mere stage dramas of the mo- ment . ) ( e ) To turn ...
Seite 169
... Shakespeare's meaning , and to realize how extraordinary and splendid a thing it was in a gentle Venetian girl to ... Shakespeare Othello was a black , he should be represented as a black in our theaters now . I dare say not . We ...
... Shakespeare's meaning , and to realize how extraordinary and splendid a thing it was in a gentle Venetian girl to ... Shakespeare Othello was a black , he should be represented as a black in our theaters now . I dare say not . We ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words