Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 23
... action , " however , there is another question that may usefully be asked . Can we define this " action " further by describing it as a conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose ...
... action , " however , there is another question that may usefully be asked . Can we define this " action " further by describing it as a conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose ...
Seite 123
... action - action which must needs intensify , if that were possible , the fury of the man whom he has , how- ever unwittingly , so cruelly injured . Yet he appears utterly unconscious that he has injured Laertes at all , and asks him ...
... action - action which must needs intensify , if that were possible , the fury of the man whom he has , how- ever unwittingly , so cruelly injured . Yet he appears utterly unconscious that he has injured Laertes at all , and asks him ...
Seite 190
... action very difficult and perilous and , therefore , intensely exciting . This action sets all his powers on the strain . He feels the delight of one who executes successfully a feat thoroughly congenial to his special aptitude , and ...
... action very difficult and perilous and , therefore , intensely exciting . This action sets all his powers on the strain . He feels the delight of one who executes successfully a feat thoroughly congenial to his special aptitude , and ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words