Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 34
... appear to have taken much interest in heredity , or to have attached much importance to it . ( See , however ... appears to be a mythological expression for the whole system or order , of which the individual characters form an ...
... appear to have taken much interest in heredity , or to have attached much importance to it . ( See , however ... appears to be a mythological expression for the whole system or order , of which the individual characters form an ...
Seite 264
... appears so intimately mingled with the noblest qualities that - if we are true to Shakespeare - we do not think either of justifying her or of blaming her : we feel simply the tragic emotions of fear and pity . In this failure a large ...
... appears so intimately mingled with the noblest qualities that - if we are true to Shakespeare - we do not think either of justifying her or of blaming her : we feel simply the tragic emotions of fear and pity . In this failure a large ...
Seite 375
... appears only here and in O. 1 , ii , 23 . " delicate , " III , iv , 12 ; ïv , iii , 15 ; rv , vi , 188 , is not a rare word with Shakespeare ; he uses it about thirty times in his plays . But it is worth notice that it occurs six times ...
... appears only here and in O. 1 , ii , 23 . " delicate , " III , iv , 12 ; ïv , iii , 15 ; rv , vi , 188 , is not a rare word with Shakespeare ; he uses it about thirty times in his plays . But it is worth notice that it occurs six times ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words