Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 61
... beginning of the Second Act , and another thing to watch the murder of Desdemona at the beginning of the Fifth . If Shakespeare has wholly avoided this difficulty in Othello , it is by treating the first part of the play in such a ...
... beginning of the Second Act , and another thing to watch the murder of Desdemona at the beginning of the Fifth . If Shakespeare has wholly avoided this difficulty in Othello , it is by treating the first part of the play in such a ...
Seite 232
... beginning , it is true , we are inclined to feel merely pity and misgivings . The first lines tell us that Lear's mind is beginning to fail with age . Formerly he had perceived how different were the characters of Albany and Cornwall ...
... beginning , it is true , we are inclined to feel merely pity and misgivings . The first lines tell us that Lear's mind is beginning to fail with age . Formerly he had perceived how different were the characters of Albany and Cornwall ...
Seite 386
... beginning of Act iv . ( 5 ) Some of them , as Delius observes , emphasize the parallelism between the stories of Lear and Gloster . ( 6 ) The fact that the Folio omits the lines is , of course , nothing against them . NOTE W THE STAGING ...
... beginning of Act iv . ( 5 ) Some of them , as Delius observes , emphasize the parallelism between the stories of Lear and Gloster . ( 6 ) The fact that the Folio omits the lines is , of course , nothing against them . NOTE W THE STAGING ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words