Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 23
... considered is to strengthen the tendency , produced by the sufferings considered first , to regard the tragic persons as passive rather than as agents . Aristotle's . But Hegel's view of the tragic conflict is I : The Substance of ...
... considered is to strengthen the tendency , produced by the sufferings considered first , to regard the tragic persons as passive rather than as agents . Aristotle's . But Hegel's view of the tragic conflict is I : The Substance of ...
Seite 94
... considered rather a symptom of his state than a cause of it . These assertions may be too brief to be at once clear , but I hope they will presently become so . 3 Let us first ask ourselves what we can gather from the play , immediately ...
... considered rather a symptom of his state than a cause of it . These assertions may be too brief to be at once clear , but I hope they will presently become so . 3 Let us first ask ourselves what we can gather from the play , immediately ...
Seite 137
... considered to be out of his mind . She hears the question constantly discussed what the cause of this sad change can be ; and her heart tells her how can it fail to tell her ? -that her unkindness is the chief cause . Suddenly Hamlet ...
... considered to be out of his mind . She hears the question constantly discussed what the cause of this sad change can be ; and her heart tells her how can it fail to tell her ? -that her unkindness is the chief cause . Suddenly Hamlet ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words