Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 48
... course , in the action certain places where the tension in the minds of the audience becomes extreme . We shall consider these presently . But , in addition , there is , all through the tragedy , a constant alternation of rises and ...
... course , in the action certain places where the tension in the minds of the audience becomes extreme . We shall consider these presently . But , in addition , there is , all through the tragedy , a constant alternation of rises and ...
Seite 99
... course that there's a divinity that shapes our ends , but for Hamlet it is a discovery hardly won . And throughout this kingdom of the mind , where he felt that man , who in action is only like an angel , is in apprehension like a god ...
... course that there's a divinity that shapes our ends , but for Hamlet it is a discovery hardly won . And throughout this kingdom of the mind , where he felt that man , who in action is only like an angel , is in apprehension like a god ...
Seite 209
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. Of course this is a heresy and all the best authority is ... course , be taken in connection with later remarks . two sons , the chief persons of the secondary plot VII : King ...
Hamlet, Othello, King Lear, Macbeth Andrew Cecil Bradley. Of course this is a heresy and all the best authority is ... course , be taken in connection with later remarks . two sons , the chief persons of the secondary plot VII : King ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words