Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 81
... critics to feel the " indescribable charm " of Hamlet , and to divine something of Shakespeare's intention . " We see a man , " he writes , " who in other circumstances would have exercised all the moral and social virtues , placed in a ...
... critics to feel the " indescribable charm " of Hamlet , and to divine something of Shakespeare's intention . " We see a man , " he writes , " who in other circumstances would have exercised all the moral and social virtues , placed in a ...
Seite 167
... critics to be his : hardly anyone doubts that he had a hand in it : it is certain that he knew it , for reminiscences of it are scattered through his plays . Now no one who reads Titus Andronicus with an open mind can doubt that Aaron ...
... critics to be his : hardly anyone doubts that he had a hand in it : it is certain that he knew it , for reminiscences of it are scattered through his plays . Now no one who reads Titus Andronicus with an open mind can doubt that Aaron ...
Seite 176
... critics ; and this , reinforcing the comical habit of quoting as Shakespeare's own statement everything said by his characters , has been a fruitful source of misinterpretation . I will take as an instance the very first assertions made ...
... critics ; and this , reinforcing the comical habit of quoting as Shakespeare's own statement everything said by his characters , has been a fruitful source of misinterpretation . I will take as an instance the very first assertions made ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words