Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 50
... effect does not disguise that much broader effect to which I have already alluded , and which we have now to study . In all the tragedies , though more clearly in some than in others , one side is distinctly felt to be on the whole ...
... effect does not disguise that much broader effect to which I have already alluded , and which we have now to study . In all the tragedies , though more clearly in some than in others , one side is distinctly felt to be on the whole ...
Seite 229
... effect , and we regard it as a very serious flaw in any considerable work of art that this should be its ultimate effect.33 So that Mr. Swinburne's description , if taken as final , and any description of King Lear as " pessimistic " in ...
... effect , and we regard it as a very serious flaw in any considerable work of art that this should be its ultimate effect.33 So that Mr. Swinburne's description , if taken as final , and any description of King Lear as " pessimistic " in ...
Seite 276
... effect is con- tinued in another form : we are shown a soul tortured by an agony which admits not a moment's repose , and rushing in frenzy toward its doom . Macbeth is very much shorter than the other three tragedies , but our ...
... effect is con- tinued in another form : we are shown a soul tortured by an agony which admits not a moment's repose , and rushing in frenzy toward its doom . Macbeth is very much shorter than the other three tragedies , but our ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words