Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 23
... fact , and a prominent fact , of human life . To exclude it wholly from tragedy , therefore , would be , we may say , to fail in truth . And , besides , it is not merely a fact . That men may start a course of events but can neither ...
... fact , and a prominent fact , of human life . To exclude it wholly from tragedy , therefore , would be , we may say , to fail in truth . And , besides , it is not merely a fact . That men may start a course of events but can neither ...
Seite 39
... fact which give rise to the idea of fate . They would appear as various expressions of the fact that the moral order acts not capriciously or like a human being , but from the necessity of its nature , or , if we prefer the phrase , by ...
... fact which give rise to the idea of fate . They would appear as various expressions of the fact that the moral order acts not capriciously or like a human being , but from the necessity of its nature , or , if we prefer the phrase , by ...
Seite 268
... fact that the effects of good spread far and wide beyond the doer of good ; and we should ask ourselves whether we really could wish ( supposing it con- ceivable ) to see this double - sided fact abolished . Neverthe- less the touch of ...
... fact that the effects of good spread far and wide beyond the doer of good ; and we should ask ourselves whether we really could wish ( supposing it con- ceivable ) to see this double - sided fact abolished . Neverthe- less the touch of ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words