Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 34
... fate or no , 12 it can hardly be denied that it does appear as the ultimate power in the tragic world , and that it has such characteristics as these . But the name " fate " may be intended to imply something more - to imply that this ...
... fate or no , 12 it can hardly be denied that it does appear as the ultimate power in the tragic world , and that it has such characteristics as these . But the name " fate " may be intended to imply something more - to imply that this ...
Seite 39
... fate . And the idea which they in their turn , when taken alone , may suggest , is that of an order which does not indeed award " poetic justice , " but which reacts through the necessity of its own " moral " nature both against attacks ...
... fate . And the idea which they in their turn , when taken alone , may suggest , is that of an order which does not indeed award " poetic justice , " but which reacts through the necessity of its own " moral " nature both against attacks ...
Seite 152
... Fate ( v , ii , 264 ) : but , oh vain boast ! Who can control his fate ? 5 Ulrici has good remarks , though he exaggerates , on this point and the element of intrigue . 6 And neither she nor Othello observes what handkerchief it is ...
... Fate ( v , ii , 264 ) : but , oh vain boast ! Who can control his fate ? 5 Ulrici has good remarks , though he exaggerates , on this point and the element of intrigue . 6 And neither she nor Othello observes what handkerchief it is ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words