Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 136
... father is deep , though mingled with fear . For Hamlet she has , some say , no deep love - and perhaps she is so near childhood that old affections have still the strongest hold ; but certainly she has given to Hamlet all the love of ...
... father is deep , though mingled with fear . For Hamlet she has , some say , no deep love - and perhaps she is so near childhood that old affections have still the strongest hold ; but certainly she has given to Hamlet all the love of ...
Seite 137
... father . To whom else should she go ? Her brother is away . Her father , whom she saw with her own eyes and not with Shakespeare's , is kind , and the wisest of men , and concerned about Hamlet's state . Her father finds , in her report ...
... father . To whom else should she go ? Her brother is away . Her father , whom she saw with her own eyes and not with Shakespeare's , is kind , and the wisest of men , and concerned about Hamlet's state . Her father finds , in her report ...
Seite 267
... father- and again in the very last words we hear her speak . She and her father are brought in , prisoners , to the enemy's camp ; but she sees only Edmund , not those " greater " ones on whose pleasure hangs her father's fate and her ...
... father- and again in the very last words we hear her speak . She and her father are brought in , prisoners , to the enemy's camp ; but she sees only Edmund , not those " greater " ones on whose pleasure hangs her father's fate and her ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words