Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
Im Buch
Ergebnisse 1-3 von 85
Seite 109
... feel it is shameful to do so , and when I have cause , and will , and strength , and means , to act ? " A man irresolute merely because he was considering a proposed action too minutely would not feel this bewilderment . A man might feel ...
... feel it is shameful to do so , and when I have cause , and will , and strength , and means , to act ? " A man irresolute merely because he was considering a proposed action too minutely would not feel this bewilderment . A man might feel ...
Seite 232
... feel that he " deserved " what he suffered , but because otherwise his fate would appear to us at best pathetic , at worst shocking , but certainly not tragic . And when we were reading the earlier scenes of the play we recognized this ...
... feel that he " deserved " what he suffered , but because otherwise his fate would appear to us at best pathetic , at worst shocking , but certainly not tragic . And when we were reading the earlier scenes of the play we recognized this ...
Seite 244
... feel , feel your power quickly ; So distribution should undo excess , And each man have enough . 9 Schmidt's idea - based partly on the omission from the Folios at I , ii , 103 ( see Furness ' Variorum ) of the words " To his father ...
... feel , feel your power quickly ; So distribution should undo excess , And each man have enough . 9 Schmidt's idea - based partly on the omission from the Folios at I , ii , 103 ( see Furness ' Variorum ) of the words " To his father ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words