Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 16
... hero , " or at most of two , the " hero " and " heroine . " Moreover , it is only in the love tragedies , Romeo and Juliet and Antony and Cleopatra , that the heroine is as much the center of the action as the hero . The rest ...
... hero , " or at most of two , the " hero " and " heroine . " Moreover , it is only in the love tragedies , Romeo and Juliet and Antony and Cleopatra , that the heroine is as much the center of the action as the hero . The rest ...
Seite 25
... hero opposes to a hostile force an undivided soul , is not the Shakespearean type . The souls of those who contend with the hero may be thus undivided ; they generally are ; but , as a rule , the hero , though he pursues his fated way ...
... hero opposes to a hostile force an undivided soul , is not the Shakespearean type . The souls of those who contend with the hero may be thus undivided ; they generally are ; but , as a rule , the hero , though he pursues his fated way ...
Seite 28
... hero's ruin . The tragic hero with Shakespeare , then , need not be " good , " though generally he is " good " and therefore at once wins sympathy in his error . But it is necessary that he should have so much of greatness that in his ...
... hero's ruin . The tragic hero with Shakespeare , then , need not be " good , " though generally he is " good " and therefore at once wins sympathy in his error . But it is necessary that he should have so much of greatness that in his ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words