Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 204
... imagination , piercing pathos , and humor almost as moving as the pathos ; the vastness of the convulsion both of nature and of human passion ; the vagueness of the scene where the action takes place , and of the movements of the ...
... imagination , piercing pathos , and humor almost as moving as the pathos ; the vastness of the convulsion both of nature and of human passion ; the vagueness of the scene where the action takes place , and of the movements of the ...
Seite 221
... imagination as we read King Lear is very great ; and it combines with other influences to convey to us , not in the form of distinct ideas but in the manner proper to poetry , the wider or universal significance of the spectacle ...
... imagination as we read King Lear is very great ; and it combines with other influences to convey to us , not in the form of distinct ideas but in the manner proper to poetry , the wider or universal significance of the spectacle ...
Seite 295
... imagination . So long as Macbeth's imagination is active , we watch him fascinated ; we feel suspense , horror , awe ; in which are latent , also , admiration and sympathy . But so soon as it is quiescent these feelings vanish . He is ...
... imagination . So long as Macbeth's imagination is active , we watch him fascinated ; we feel suspense , horror , awe ; in which are latent , also , admiration and sympathy . But so soon as it is quiescent these feelings vanish . He is ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words