Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 173
... less subtly conceived , is a far greater figure and a less repellent . His physical deformity , separating him from other men , seems to offer some excuse for his egoism . In spite of his egoism , too , he appears to us more than a mere ...
... less subtly conceived , is a far greater figure and a less repellent . His physical deformity , separating him from other men , seems to offer some excuse for his egoism . In spite of his egoism , too , he appears to us more than a mere ...
Seite 248
... less force , courage and initiative than her sister , and for that reason is less formidable and more loathsome . Edmund judged right when , caring for neither sister but aiming at the crown , he pre- ferred Goneril , for he could trust ...
... less force , courage and initiative than her sister , and for that reason is less formidable and more loathsome . Edmund judged right when , caring for neither sister but aiming at the crown , he pre- ferred Goneril , for he could trust ...
Seite 323
... less than usual of the interchange of verse and prose.14 All this makes for simplicity of effect . And , this being so , is it not possible that Shakespeare instinctively felt , or con- sciously feared , that to give much individuality ...
... less than usual of the interchange of verse and prose.14 All this makes for simplicity of effect . And , this being so , is it not possible that Shakespeare instinctively felt , or con- sciously feared , that to give much individuality ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words