Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 386
... lines of King Lear itself . ( 4 ) The lines are in spirit of one kind with Edgar's fine lines at the beginning of Act iv . ( 5 ) Some of them , as Delius observes , emphasize the parallelism between the stories of Lear and Gloster . ( 6 ) ...
... lines of King Lear itself . ( 4 ) The lines are in spirit of one kind with Edgar's fine lines at the beginning of Act iv . ( 5 ) Some of them , as Delius observes , emphasize the parallelism between the stories of Lear and Gloster . ( 6 ) ...
Seite 399
... lines ! ) ; Kent has answered Albany , but Edgar has not ; and the lines seem to be rather more appropriate to Edgar . For the " gentle reproof " of Kent's despondency ( if this phrase of Halliwell's is right ) is like Edgar ; and ...
... lines ! ) ; Kent has answered Albany , but Edgar has not ; and the lines seem to be rather more appropriate to Edgar . For the " gentle reproof " of Kent's despondency ( if this phrase of Halliwell's is right ) is like Edgar ; and ...
Seite 409
... lines in a play , but the difference in this matter between one play and another . Thus one may disagree with König in his estimate of many instances , but one can see that he is consistent . In Shakespeare's early plays , " overflows ...
... lines in a play , but the difference in this matter between one play and another . Thus one may disagree with König in his estimate of many instances , but one can see that he is consistent . In Shakespeare's early plays , " overflows ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words