Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 104
... madness may well have been due in part to fear of the reality ; to an instinct of self- preservation , a forefeeling that the pretense would enable him to give some utterance to the load that pressed on his heart and brain , and a fear ...
... madness may well have been due in part to fear of the reality ; to an instinct of self- preservation , a forefeeling that the pretense would enable him to give some utterance to the load that pressed on his heart and brain , and a fear ...
Seite 138
... madness is , it is also , we feel , t kindest stroke that now could fall on her . It is evident , I think , that this was the effect Shake- speare intended to produce . In her madness Ophelia con- tinues sweet and lovable . Thought and ...
... madness is , it is also , we feel , t kindest stroke that now could fall on her . It is evident , I think , that this was the effect Shake- speare intended to produce . In her madness Ophelia con- tinues sweet and lovable . Thought and ...
Seite 353
... madness . But I think the wish proceeds from failure to imagine the situation . In the first place , what other defense can we wish Hamlet to have made ? I can think of none . He cannot tell the truth . He cannot say to Laertes , " I ...
... madness . But I think the wish proceeds from failure to imagine the situation . In the first place , what other defense can we wish Hamlet to have made ? I can think of none . He cannot tell the truth . He cannot say to Laertes , " I ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words