Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 95
... melancholy in the present sense of the word ; there seems nothing to show that ; but one would judge that by temperament he was inclined to nervous instability , to rapid and perhaps extreme changes of feeling and mood , and that he was ...
... melancholy in the present sense of the word ; there seems nothing to show that ; but one would judge that by temperament he was inclined to nervous instability , to rapid and perhaps extreme changes of feeling and mood , and that he was ...
Seite 96
... melancholy of discontent ; in Jaques a whimsical self - pleasing melancholy ; in Antonio in the Merchant of Venice a quiet but deep melancholy , for which neither the victim nor his friends can assign any cause.17 He gives to Hamlet a ...
... melancholy of discontent ; in Jaques a whimsical self - pleasing melancholy ; in Antonio in the Merchant of Venice a quiet but deep melancholy , for which neither the victim nor his friends can assign any cause.17 He gives to Hamlet a ...
Seite 104
... melancholy which holds him bound . The time is out of joint ! O cursed spite That ever I was born to set it right , - so he mutters within an hour of the moment when he vowed to give his life to the duty of revenge ; and the rest of the ...
... melancholy which holds him bound . The time is out of joint ! O cursed spite That ever I was born to set it right , - so he mutters within an hour of the moment when he vowed to give his life to the duty of revenge ; and the rest of the ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words