Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
Im Buch
Ergebnisse 1-3 von 85
Seite 138
... mind and not to flinch , but to go through her task for Hamlet's sake and her father's ? And , finally , is it really a thing to be taken as matter of course , and no matter for admiration , in this girl that , from beginning to end ...
... mind and not to flinch , but to go through her task for Hamlet's sake and her father's ? And , finally , is it really a thing to be taken as matter of course , and no matter for admiration , in this girl that , from beginning to end ...
Seite 221
... mind at all , appears in the shape of an allegory which we immediately reject . A similar conflict between imagination and sense will be found if we con- sider the dramatic center of the whole tragedy , the storm scenes . The temptation ...
... mind at all , appears in the shape of an allegory which we immediately reject . A similar conflict between imagination and sense will be found if we con- sider the dramatic center of the whole tragedy , the storm scenes . The temptation ...
Seite 240
... mind is greatly enfeebled . The speech just quoted is fol- lowed by a sudden flash of the old passionate nature , re- minding us most pathetically of Lear's efforts , just before his madness , to restrain his tears : Wipe thine eyes ...
... mind is greatly enfeebled . The speech just quoted is fol- lowed by a sudden flash of the old passionate nature , re- minding us most pathetically of Lear's efforts , just before his madness , to restrain his tears : Wipe thine eyes ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
18 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words