Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Publications, 1965 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
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Seite 37
... moral order . Let us put aside the ideas of justice and merit , and speak simply of good and evil . Let us understand by these words , primarily , moral good and evil , but also everything else in human beings which we take to be ...
... moral order . Let us put aside the ideas of justice and merit , and speak simply of good and evil . Let us understand by these words , primarily , moral good and evil , but also everything else in human beings which we take to be ...
Seite 39
... moral " nature both against attacks made upon it and against failure to conform to it . Tragedy , on this view , is the exhibition of that convulsive reaction ; and the fact that the spectacle does not leave us rebellious or desperate ...
... moral " nature both against attacks made upon it and against failure to conform to it . Tragedy , on this view , is the exhibition of that convulsive reaction ; and the fact that the spectacle does not leave us rebellious or desperate ...
Seite 88
... moral nature , and had a great anxiety to do right . In this anxiety he resembles Brutus , and it is stronger in him than in any of the later heroes . And , secondly , it is highly probable that in his interminable broodings the kind of ...
... moral nature , and had a great anxiety to do right . In this anxiety he resembles Brutus , and it is stronger in him than in any of the later heroes . And , secondly , it is highly probable that in his interminable broodings the kind of ...
Inhalt
INTRODUCTION | xi |
LECTURE III | 70 |
LECTURE IV | 110 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause character conflict Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart heaven hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speare's speech stage story suppose surely thee things thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida truth whole wife Witches words